TVNM 2009
| Volume LIX-1, 2009 | ||
| Artikelen | ||
| Jesse Rodin | A 'Most Laudible Competition'? Hearing and composing the Beata Virgine Masses of Josquin and Brumel | 3-24 |
| Vasiliki Koutsobina | Le Brung's Six-Voice Si vous n'avez aultre desir. A Musical 'Response' to a Poetic Practice | 25-44 |
| Simone Van Damme | Willaert's Ricercares and their Use of inganno | 45-64 |
| Signalement | 65 |
| Volume LIX-2, 2009 | ||
| Artikelen | ||
| Jan ten Bokum | Mendelssohn en Nederland in de eerste helft van de negentiende eeuw | 73-122 |
| Jeroen van Gessel | Universal, Jewish, Indestructible. The Curious Case of Mendelssohn's Reception in Nineteenth-Century Holland | 123-140 |
| Albert Clement | Mendelssohn and Bach's Matthew Passion. It's Performance, Reception, and the Presence of 70 original Choral Parts in the Netherlands | 141-156 |
| Edward Top | Reference and Mosaic Form in Peter-Jan Wageman's Opera Legende | 157-184 |
| Boekbesprekingen | ||
| Els Stronks | Jacob Cats: 'Klagende maeghden'. Mourning Maidens and other Song: An Anthology, ed. L.P. Grijp | 185 |
| Frank Kouwenhoven | J. Meurs: Onder de Groene Linde. 163 verhalende liederen uit de mondelinge overlevering,opgenomen door Ate Doornbosch e.a., edd. L.P.Grijp & I. van Beersum | 186-188 |
| Jacques Maassen | Heleen van der Weel: Klokkenspel. Het carillon en zijn bespelers tot 1800 | 189-193 |
| Signalement | 194 |