TVNM 1997
| Volume XLVII-1/2, 1997 | ||
| Artikelen | ||
Richard Wexler | Ockeghem and Politics. | 5-32 |
| Barbara Haggh | An Ordinal of Ockeghem’s Time from the Sainte-Chapelle of Paris: Paris, Bibliothèque de l’Arsenal, MS 114. | 33-71 |
| Peter Urquhart | Calculated to Please the Ear: Ockeghem’s Canonic Legacy. | 72-98 |
| Jaap van Benthem | ‘Prenez sur moy vostre exemple’: Signae, text and cadences in Ockeghem’s Prenez sur moy and Missa Cuiusvis toni. | 99-118 |
| Eugeen Schreurs | New Findings on Music Fragments from Tongeren with Two Chansons by Ockeghem. | 119-138 |
| Donald Greig | The Issue of Ockeghem. | 139-162 |
| Rebecca Stewart | Ita desiderat anima me ad te, Deus Ps. 42: 1): Johannes Ockeghem, a most Medieval Composer. | 163-200 |
| Rokus de Groot | Ockeghem and New Music in the Twentieth Century | 201-220 |
| Jaap van Benthem | Johannes Ockeghem – Masses and Mass Sections: Some Principles of the Edition. | 221-223 |